When Karl Lagerfeld was named at the helm of the fashion house in 1983, he set out to radically shake up and update its image – not only through bold collections but also, from 1987 onwards, by choosing to shoot the house’s campaigns himself, a move that was unprecedented for a fashion designer.

Conceived in collaboration with Karl Lagerfeld and the House of Chanel, this definitive publication opens with an essay by Patrick Mauriès before exploring the campaigns themselves, organized chronologically. A carefully curated selection of images showcases hundreds of spectacular clothes worn by the top fashion models – and personalities – of each era, from Inès de la Fressange, Claudia Schiffer, Kate Moss and Cara Delevingne, to Kirsten Stewart and Lily Rose Depp, captured in glamorous locations, from Coco Chanel’s Paris apartment to the French Riviera or LA.

Presented in a high-end, slipcased package, Chanel: the Karl Lagerfeld Campaigns offers an unrivalled overview of the house of Chanel as seen through the eyes – and lens – of Karl Lagerfeld himself.

An elegant collection of Christian Dior's maxims on style, women and inspiration, presented in a fashionable gift format. Credited with creating some of the most luxurious and spectacular haute couture pieces of all time, Christian Dior became a fashion icon overnight in 1947 with the launch of his 'New Look' - sumptuous hourglass silhouettes that provided a welcome tonic to the austerity of wartime. Its wild success, and the global fame that ensued, was built on the designer's subtle understanding of fashion, couture, style, elegance and women - a perspective and insight best revealed in Dior's own words, which are gathered here for the first time. Rightly described as the 'Designer of Dreams' in the recent blockbuster exhibition on the house of Dior that attracted millions of visitors the world over, Christian Dior was an unrivalled arbiter in the world of high fashion. Dior was generous with his advice on all things, from style and how to dress ('No elegant woman follows fashion blindly', he once declared), to his insights into the creative process, invaluable for any budding designer. Presented in a beautiful package and accessible format, The World According to Christian Dior is the perfect gift for fashion fans, publishing on the occasion of the house's 75th anniversary.

Published to accompany the major exhibition at the Musee des Arts Decoratifs, Paris, this book is destined to become a must-have work of reference for all fashion lovers. The couturiere Elsa Schiaparelli (1890-1973) was a key figure in Paris fashion between the two World Wars. Following in the footsteps of her mentor Paul Poiret, she designed her first knitwear collection in January 1927. Decorated with trompe-l'oeil motifs in black and white, her sweaters were an immediate success in both France and the USA. In 1935, the Maison Schiaparelli opened in the Place Vendome in Paris, selling collections designed for sports, city and evening wear. Like her arch-rival Gabrielle Chanel, Schiaparelli also worked closely with artists, including Man Ray, Jean Cocteau and Salvador Dali, with whom she created a lobster dress. Taking a cue from Surrealism, her creations were hugely imaginative and made use of innovative new materials. The 'Schiap' style continued to develop through the 1930s. Her most famous collections had themes including the circus (summer 1938) and astrology (winter 1938-39). In 1937, Schiaparelli launched the fragrance Shocking, named after shocking pink, which had become her signature colour. Alongside vintage photographs, sketches and contemporary features from Harper's Bazaar and Vogue, this volume presents specially photographed masterpieces from the collection of the Musee des Arts Decoratifs in Paris. All 120 garments and accessories from the Schiaparelli archive are illustrated, along with a selection of her drawings dating from 1933 to 1953.

An elegant collection of legendary designer Coco Chanel’s maxims on style, women and life

French couturière Coco Chanel has achieved legendary status across the world and continues to captivate young generations of fashion fans who eagerly collect and share her quotes, creations and insights.

A close friend of some of the leading wits and writers of her days (from Jean Cocteau to poet Pierre Reverdy), Coco Chanel was fierce and uncompromising in her pronouncements on fashion (‘Some people think luxury is the opposite of poverty. It is not. It is the opposite of vulgarity’; ‘Elegance is refusal’; ‘Fashion changes, but style endures’), women (‘A woman who doesn’t wear perfume has no future’; ‘Dress shabbily and they remember the dress; dress impeccably and they remember the woman’) and life (‘The best things in life are free. The second-best are very expensive’). Much like her successor, Karl Lagerfeld, she never shied away from controversy, declaring one day of her detractors: ‘I don’t care what you think about me. I don’t think about you at all’. Chic, witty and accessibly priced, The World According to Coco is the perfect gift for fans of fashion in general and Chanel in particular.

The first substantial book on the French Neo-Romantics, a cosmopolitan group working in 1920s Paris who turned against modernist abstraction in favour of a new form of figurative painting. In 1926, the Galerie Druet in Paris made waves presenting a group of young painters who had spurned modernist abstraction and returned to a form of figurative painting. For most of them this was the first time they had exhibited, but their impact was considerable. Art critic Waldemar George baptized them the 'Neo-Romantics' or the 'Neo-Humanists'. They were influenced by Picasso, in particular his Blue and Rose periods, but went beyond him to forge new ways of painting. These were artists who liked to play with forgotten references and obsolete visual devices such as trompe l'oeil. They produced work for secondary art forms including the theatre, set design and ballet. In some ways they were the first post-modernists in the history of art, yet until now there has only ever been one book about them, After Picasso, published ten years after their exhibition. Only more recently has their influence on contemporary artists and thinkers including Max Jacob, George Hugnet and Gertrude Stein been recognized. Though friends, these painters never formed a formal group or movement. The Second World War sent them on different paths, with the Berman brothers and Tchelitchev moving to the United States. Before their departure, however, their activities attracted the attention and admiration of a cosmopolitan group of characters, including Gertrude Stein, Alfred Barr, Lincoln Kirstein, George Balanchine and many others including leading fashion figures of the day, Christian Dior and Elsa Schiaparelli.

Representing the third generation of Vuittons, Gaston-Louis's wide interests and voracious curiosity were intimately bound with the future of the family business. A collector since his childhood, Gaston-Louis Vuitton (1883-1970) accumulated hundreds of objects over his lifetime. In addition to forming a collection of trunks - his first motivation and the one he announced publicly - his roving eye lit upon rare antique travel articles, locks and escutcheons, hand tools, perfume bottles, African masks, walking canes, vintage children's toys, books, hotel labels (usually fixed on customers' trunks), printed monograms and other typographical rarities. Together they form a rich personal evocation of curiosites industrielles, or quirks of the trade, as Gaston-Louis liked to call them. He described himself as an `unrepentant collector', delighted by the `joy of the treasure hunter, the toil of the collector, [...] an inexhaustible source of inspiration'. This is a collection that will capture the imagination of anyone inspired by bizarre and eclectic curiosities, or those with an interest in the cultural taste and interests of someone who lived through the height of the Art Deco period - indeed, someone whose life was defined by the rigours and the rewards of world travel. It exhibits the highest design and production values for discerning international voyagers in search of the sources of luxury creativity.

"Chanel fans rejoice. . . . As glamorous and chic as you'd expect."--The Observer (on the first edition) A comprehensive and captivating overview of all of Karl Lagerfeld's Chanel collections, showcasing his creations through original catwalk photography This fully revised edition of the first overview of Karl Lagerfeld's (1933-2019) Chanel creations maintains every exceptional detail of the first edition. Images of key looks and short informative texts bring to life each season--now with 22 new collections, including Lagerfeld's final show for the house and the work of his successor, Virginie Viard. Beautifully produced, this book will stand as the ultimate reference on Lagerfeld's iconic Chanel looks and serve as a lasting tribute to one of the most talented and influential fashion designers in history. Opening with an introductory essay about Lagerfeld and his vision for Chanel, the book explores the collections chronologically, revealing the designer's inspired reinvention of classic Chanel style elements from season to season. Each collection is illustrated with a curated selection of catwalk images (filled with photos of top fashion models, including Cara Delevingne, Linda Evangelista, Kate Moss, and Claudia Schiffer), showcasing hundreds of spectacular clothes, from luxurious haute couture to trendsetting ready-to-wear, accessories, beauty looks, and set designs.

Founded in 1858 under the name of Michonet (then supplier to such fashion legends as the House of Worth) before being bought by the Lesage family in the 1920s, Maison Lesage has created exceptional embroidery motifs, often requiring hundreds, if not thousands, of hours of precise beadwork, for star fashion designers across the decades.

Fashion legends such as Elsa Schiaparelli (with her famous Circus and Zodiac collections) and Yves Saint Laurent (whose Van Gogh iris-embroidered jackets number over 200,000 pearls and 250,000 sequins) worked exclusively with Maison Lesage, but the embroiderer also collaborated with a raft of international designers, including Balmain, the House of Worth, Vionnet and Lacroix. Perhaps best known today for the masterpieces it created for Karl Lagerfeld's Chanel collections, Maison Lesage was bought by Chanel in 2002 to ensure the survival of its unique history and extraordinary skills.

Illustrated with specially commissioned photography of the house s archives and illuminated with texts by Patrick Mauriès, Maison Lesage is both a tribute to exceptional craftsmanship and a journey through a hundred years of fashion at its most sumptuous and inventive.

The fashion world has long been celebrated for its scintillating salon wit. The sharpest tongues and quickest repartee have always sprung from the lips of fashion royalty. From Oscar Wilde to Miuccia Prada, fashion's words of wisdom have become our daily bread. Fashion Quotes presents hundreds of the snappiest quotations from over three centuries, from the society beaux of the 18th century and the literary wits of the 19th century, to the celebrity elite of the 20th century and today's hippest twitterati. Christian Lacroix has gilded the pages with creative inspiration, his illustrations perfectly expressing the colour and panache that we expect of fashion's finest. The collection is divided into quotations from different spheres, including: Elegance, Shoes, Dressing up, The Little Black Dress, Dandyism, Eros, Eccentricity, Models, Vanity. Fashion Quotes will be the must-have gift for every fashionista and aspiring wit, or for anyone looking for the ultimate smart put-down, cheeky pick-me-up, whip-crack wisdom or poisonous punchline.

All knowledge, the cosmos arranged on shelves, in cupboards, or hanging from the ceiling, 'infinite riches in a little room' - such were the cabinets of curiosities of the 17th century. This survey, now available in a compact edition, traces the amazing history of cabinets of curiosities, from their first appearance in the inventories and engravings commissioned by Renaissance nobles such as the Medici or the Hapsburgs, via those of the Dane Ole Wurm and the Italian polymath Athanasius Kircher, to the serious 17th- and 18th-century scientists Elias Ashmole and Levinas Vincent.

This is the third book in a series devoted to the splendid jewelry collection of the Musee des Arts Decoratifs in Paris. Following on from Flora and Fauna, the theme this time is the human figure, perhaps the most intimate and involving of subjects. Jewelry has always been a vehicle for the deepest of human emotions: remembrance, faith, devotion, love, belonging and mourning. The museum's collection begins in the Byzantine era and ranges through the medieval and Renaissance periods and beyond, with mythological figures and biblical scenes represented on pendants and rings. In the 19th century, Rene Lalique, Alphonse Fouquet and the Maison Vever produced brooches and necklaces that were the very embodiment of elegant sophistication and technical brilliance, while in the 20th century, artists such as Pablo Picasso and Alberto Giacometti joined jewelers like Jean Lurcat, Line Vautrin and Claude Lalanne in creating works that interpret the body in a deeply personal way. Wonderfully photographed by Jean-Marie del Moral, Figures is packed with striking and witty works of art that will charm all lovers of jewelry.

'This ad is gender neutral', proclaimed a 2016 poster for the fashion brand Diesel; 'I resist definitions', announced a Calvin Klein ad in the same year, while a Louis Vuitton shoot featured Jaden Smith, son of actor Will Smith, wearing a skirt like a natural. Fashion magazines have printed countless features on the blurring of gender barriers, while brands including Yves Saint-Laurent, Gucci, Burberry, Givenchy and Dolce & Gabbana have all interpreted the concept 'girls will be boys and boys will be girls' in their own individual style. The previous turn of the century was as obsessed with androgyny as this one, as seen in the art of Edward Burne-Jones and Gustave Moreau, and the writings of Oscar Wilde and the mystic Josephin Peladan. From the late 19th to the early 21st century, the genders have blended: from Berlin in the 1920s to Hollywood of the 1930s with Garbo to Dietrich; from the 1940s Bright Young Things to the androgynous pop stars of the 1970s, and beyond. What do these variations on a theme have in common? What has caused the dizzying rise of androgyny? Why has this concept, a staple of ancient myth that was first discussed in Plato's Symposium, been revived today? Accompanied by a striking selection of contemporary photographs, Patrick Mauries presents a condensed cultural history of androgyny, drawing on the worlds of art and literature to give us a deeper understanding of the strange but timeless human drive to escape from defined categories.

The animal kingdom has been a source of inspiration for jewelers since the days of antiquity. Chosen for their symbolism, their beauty or their personality, a whole menagerie of creatures has been depicted in gemstones and precious metals, ranging from fantastical dragons, griffins and sphinxes, to wild beasts such as boars and big cats, to the delicate forms of birds, fish and even insects. The 130 pieces in this book have been specially selected from the magnificent jewelry collection of the Musee des Arts Decoratifs in Paris, and include necklaces and earrings, bracelets and brooches by legendary names such as Boucheron, Falize and Lalique. They stretch from the Renaissance revival of the 19th century to the elegant lines of Art Nouveau and beyond, through to the playful naivety of modernist designs by Jean Lurcat and Line Vautrin. Beautifully photographed by renowned photographer Jean-Marie del Moral, this second title in the series that began with Flora: The Art of Jewelry is packed with clever and witty works of art that will delight all lovers of jewelry and nature.

`There is no marriage, yet, for human beings and animals ... I never thought I would fall in love like this with a cat' - Karl Lagerfeld Choupette is the constant feline companion of designer Karl Lagerfeld, creative director at Chanel. She has her own iPad, eats next to Lagerfeld at the table from Goyard china, and has inspired couture collections. Choupette occasionally delivers words of wisdom to her devotees via Twitter, but here for the first time is her complete guide to the art of living. It is full of observations and precious advice from Choupette's vet, Madame Horn, and her housekeeper and maid, Madame Francoise, who keeps her daily diary. The book is divided into themed chapters on diet, beauty, healthcare, fashion tips, secret loves and pet hates. This is guaranteed to be this season's most talked-about cat book, the perfect chic gift for cat lovers, the fashion-conscious and the style-aware.

An exclusive homage to - and retrospective of - the iconic fashion designer's couture accessories.'One can never overstate the importance of accessories. They are what turns a dress into something else. I like dresses to be sober and accessories to be wild', Yves Saint Laurent, 1977.Yves Saint Laurent Accessories is the first book to date to shed light on the breathtaking accessories created by one of the most influential fashion designers of all time. From his first collection in 1962 to his acclaimed final presentation in 2002, Yves Saint Laurent created exquisite jewellery, hats, shoes, and handbags to complement and enhance each of his couture creations. Beautifully designed, in a small format evocative of a jewellery box, the book offers an unprecedented glimpse into the highly confidential archives of The Yves Saint Laurent Foundation in Paris, which is home to over 20,000 remarkable accessories. The book features specially commissioned photography of the accessories alongside a treasure trove of rare materials including preparatory sketches, intimate portraits of Saint Laurent at work, behind-the-scenes snapshots of models, catwalk photographs, and advertising campaigns. Yves Saint Laurent Accessories introduces readers to a prominent yet rarely seen side of Saint Laurent's art, leading them backstage and through the history of a house that helped to shape the course of fashion.

For the first time, Chanel and Jean-Paul Goude reveal the unseen drawings, collages and sketches that have inspired Goude's iconic advertising campaigns for Chanel's world famous fragrances, from 'Egoiste' and 'Coco' to 'Chanel No. 5' and the recently launched 'Chance'. Inspired by a small gold birdcage in Coco Chanel's Paris apartment, Goude famously cast a young Vanessa Paradis as a Chanel 'Tweety Pie' bird, swinging on a trapeze to promote Chanel's 'Coco' perfume. He went on to make Estella Warren the face of his Chanel No.5 campaign, and called for the entire facade of a Riviera Palace to be built in Rio de Janeiro for the first 'Egoiste' film, before capturing Karl Lagerfeld, Lily-Rose Depp and the ghost of Coco Chanel herself. A must-have for Chanel lovers, the book also allows creatives and advertising enthusiasts to discover the imagination and creative process at work behind these unforgettable images.

Originally published to accompany the recent, hugely successful exhibition at the Musee de la Mode et du Textile in Paris, which Christian Lacroix styled and co-curated, this book draws on the Museum's staggering archives to tell the story of fashion from the 18th century to the present day, as seen through Lacroix's inimitable eye. It also juxtaposes the collections with the most significant designs from Lacroix's own career, bringing to light the fundamental stylistic and formal principles that make up the history of fashion.